How to Make Raw Sounds for Hard Techno

Raw sounds for hard techno and industrial techno, a topic I know a lot of people are struggling with. We're not going to make just one very specific sound. We're going to make something in Serum that allows you to create thousands of different sounds.

In this tutorial
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    My notes from this video

    01

    The full kick comes first

    Watch 1:42

    In Serum I'm not going to focus on the punch first. I worry about a full kick. Open oscillator A and B and take down the phase randomization, so we have a consistent kick every time we hit a note. A kick is made with a punch, a top part and a low part.

    LFO 1 acts as the punch envelope, on the level. LFO 2 is the crunch envelope. Make these two blend together, both on envelope, and you kind of have this kick sound already. Then go into distortion, add Diode 2 to get this very up-tempo feeling, and a compressor with the threshold down.

    02

    FM the punch from oscillator B

    Watch 2:30

    The punch just needs to go through a filter. Make sure only oscillator A goes through filter A. Get something like a high pass filter (High 24 here) and add resonance and drive. You can really experiment with the filter for the punch, but let's stay with the simple one.

    In oscillator B, find a waveform that looks a little bit like a square, or a little bit like a sine with an overtone thing. What I'm looking for is most likely this Dist 8bit Fwap, a great one to start off with. Then take the warp mode of oscillator A and FM from B. Every little tweak results in a bunch of different sounds, so the FM is a very big macro, FM punch.

    Serum FM punch for a raw hard techno kick: Default saw on A with warp FM (from B), B on Dist 8bit Fwap, High 24 filter on A
    Oscillator B on Dist 8bit Fwap, FM from B on oscillator A.
    03

    Movement in the punch

    Watch 3:53

    LFO 3 just adds a little bit of movement. Envelope it and add it to the cutoff slightly. You can also add it on the FM. Movement in the punch is very important.

    LFO 4 is pitch automation, only on the pitch of A. Make sure you go up octaves. That's where you get these gated kicks, but here it's for movement in the punch. Later I add a chorus and use LFO 1 to enable it only when the punch plays, for like 50% or even 20%.

    04

    Reverb in front of the distortion

    Watch 4:38

    I'm usually not adding reverb in the beginning, because I don't want to overwhelm the sound. Size and decay, and most of these can go to 50 in this case. LFO 5 is the reverb filter automation, on the mix.

    You can add the reverb before the distortion or after. After, it's clean. If you want that very overblown driven effect, add it in front, and you get the very crunchy crunch, very extreme. You can also add a filter with a flanger. The Flg L6+ is very very good, with resonance and drive.

    Serum FX rack for a raw industrial techno sound: filter on Flg L6+, distortion on Diode 2 and the compressor after it
    Flg L6+ in the filter, Diode 2 in the distortion.
    05

    Everything into one channel

    Watch 8:48

    I take the punch we made, then the low kick you would usually use for rumble kicks, then a rumble, then a noise, and all of it into one channel. In there I boost frequencies, make sure the sub is mono and add a transient shaper with a very fast speed, so it only improves the attack in the punch.

    Then another EQ to really boost the low mids and reduce some stuff, and finally an inflator with 100 and a lot of input gain. This was all experimentation. I just make the kick and then I tweak it. It's going to be great for pre-drops and fakedrops, these things people are doing in hard techno.

    FL Studio inserts on a raw hard techno kick: EQ 2, Pro-Q 3, kHs Transient Shaper, EQ 2, Oxford Inflator, ValhallaRoom, Edison
    The processing channel, inflator near the end.
    What I use in this video

    FL Studio·Serum·Fruity Parametric EQ 2·FabFilter Pro-Q 3·Kilohearts Transient Shaper·Sonnox Oxford Inflator·ValhallaRoom

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