My notes from this Short
01
Kick and noise through a Bend Notch filter
All I need is a punchy kick and a noise layer on top that's detuned, and I control the length of the punch. Both go to a filter, like the Bend Notch 12, with the drive open.
Then that filter goes into an all-pass filter that smears it out. Drive, mix down, cutoff low, and add resonance.
02
Stacked sine shapers with a peak in front
The most important effect is sine shapers. I add an EQ in front and really boost the peak, then control the output with the length of the punch. You can stack these sine shapers.
After that I add some reverb, like the vintage one, and control the mix with a shape. Then all you need is a rumble.
What I use in this video
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